Kedves Konferencia'zo'k!
Ko:zeledik a hetedik Makog konferencia! Megyu:nk Visegra'dra.
A konferencia te'ma'ja:
" Dinamika e's megismere's"
A pillanatnyilag ve'gleges meghirdetett MU"SOR itt olvashato':
http://www.rmki.kfki.hu/biofiz/cneuro/makog99.html
A sza'lla's, e'tkeze's e's az esti elo"ada'sok az ELTE U:du:lo"ben (Fo"
utca 117), az ELO"ADA'SOK a Pilisi Parkerdo" e'pu:lete'ben Visegra'd,
(Ma'tya's kira'ly utca 4) lesznek.
Vola'n menetrendszeru" BUSZok *o'ra 30 perckor indulnak az
A'rpa'd-hi'dto'l. Ha az ember u:gyetlen, ne'ha eggyel elo:bb sza'll le a
kellete'ne'l.
Gyu:lekezo" e's (regisztracio') az U:dulo"ben, 10.45-kor elindulunk a
Parkerdo" ha'za'ba. A program feszes, es igyekszu:nk az ido"pontokat
tartani.
A TELJES befizetendo" ko:ltse'g (re'szve'teli di'j, sza'lla's, reggeli,
ebe'd, vacsora, bankett, triko': ez uto'bbit Ple'h tana'r u'r
szponzora'lja, ko:szo:net) dia'koknak 5600Ft, felno"tteknek 7000Ft. Dia'k
az, akinek dia'kigazolva'nya van.
Reme;lju:k, jo' mulatsa'g lesz.
Viszontla'ta'sra Visegra'don.
E'rdi Pe'ter
Koeszonoet EP-nek. Neki is mondom:
http://www.zikzak.net/~acb/dada/
udv kgy
PS kis izelito, miket lehet vele iratni
======================================================================
Forgetting Derrida: Lyotardist narrative in the works of Madonna
Agnes U. N. la Fournier
Department of Peace Studies, Cambridge University
1. Expressions of rubicon
If one examines neotextual narrative, one is faced with a choice: either
reject
Lyotardist narrative or conclude that reality serves to entrench
hierarchy.
Thus, the main theme of Pickett's [1] analysis of cultural desituationism
is a
presemantic reality. It could be said that subdialectic Marxism implies
that
society, perhaps paradoxically, has significance. Marx promotes the use of
textual postmaterialist theory to deconstruct class divisions. McElwaine
[2]
states that the works of Pynchon are empowering.
In the works of Pynchon, a predominant concept is the distinction between
opening and closing. The primary theme of Hanfkopf's [3] critique of
Lyotardist
narrative is the meaninglessness, and some would say the failure, of
subcapitalist art. But Sartre uses the term 'cultural desituationism' to
denote
not discourse as such, but neodiscourse. If subdialectic Marxism holds, we
have
to choose between cultural desituationism and cultural narrative.
Many structuralisms concerning Lyotardist narrative exist. In a sense, the
subject is interpolated into a subdialectic Marxism that includes culture
as a
reality. The premise of cultural desituationism implies that truth is
meaningless. Therefore, Bataille suggests the use of Lyotardist narrative
to
analyse narrativity.
In a sense, the masculine/feminine distinction which is a central theme of
Melrose Place emerges again in Models, Inc.. A number of deconstructions
concerning a self-falsifying paradox may be found.
However, Debord suggests the use of Baudrillardist simulacra to challenge
outmoded perceptions of class. Pickett [4] suggests that we have to choose
between subdialectic Marxism and Lyotardist narrative.
2. Subdialectic Marxism and prestructural dialectic theory
"Sexual identity is unattainable," says Lyotard. The subject is
contextualised
into a prestructural dialectic theory that includes language as a
totality.
In the works of Spelling, a predominant concept is the distinction between
without and within. Thus, the characteristic theme of the works of
Spelling is
the collapse, and therefore the economy, of neodeconstructivist society.
Marx
uses the term 'Lyotardist narrative' to denote the role of the participant
as
writer.
If one examines subdialectic Marxism, one is faced with a choice: either
reject
the capitalist paradigm of narrative or conclude that reality comes from
the
collective unconscious, but only if Derrida's model of neodialectic
discourse
is invalid. But Debord's analysis of Lyotardist narrative states that the
Constitution is capable of truth, given that the premise of prestructural
dialectic theory is valid. The main theme of the works of Spelling is the
bridge between class and sexual identity. It could be said that any number
of
theories concerning subdialectic Marxism exist.
Thus, in Beverly Hills 90210, Spelling examines prestructural dialectic
theory;
in Melrose Place Spelling analyses prestructural dialectic theory. De
Selby [5]
holds that we have to choose between Sartreist absurdity and subdialectic
Marxism.
In a sense, the subject is interpolated into a Lyotardist narrative that
includes sexuality as a whole. Thus, prestructural dialectic theory
implies
that reality is used to exploit minorities. Lacan promotes the use of
capitalist postmodern theory to attack the status quo. Foucault uses the
term
'Lyotardist narrative' to denote the role of the reader as observer.
It could be said that the paradigm, and subsequent defining
characteristic, of
prestructural dialectic theory depicted in Models, Inc. is also evident in
Beverly Hills 90210, although in a more textual sense. However, an
abundance of
narratives concerning subdialectic Marxism may be found. Therefore, the
main
theme of the works of Spelling is not, in fact, appropriation, but
neoappropriation.
Baudrillard's essay on the postconstructivist paradigm of reality states
that
class has significance. If prestructural dialectic theory holds, we have
to
choose between Lyotardist narrative and subdialectic Marxism.
Thus, the subject is interpolated into a Lyotardist narrative that
includes
consciousness as a reality. Bataille uses the term 'dialectic feminism' to
denote a self-supporting paradox. But Abian [6] suggests that we have to
choose
between Marxist socialism and subdialectic Marxism.
3. Discourses of absurdity
"Art is intrinsically elitist," says Sontag. Derrida suggests the use of
prestructural dialectic theory to read and analyse society. However, if
subdialectic Marxism holds, the works of Spelling are postmodern.
"Sexual identity is part of the stasis of truth," says Lyotard; however,
according to Humphrey [7] , it is not so much sexual identity that is part
of
the stasis of truth, but rather the rubicon, and eventually the fatal
flaw, of
sexual identity. Therefore, several dematerialisms concerning the
dialectic of
textual sexual identity exist. The primary theme of d'Erlette's [8] model
of
Lyotardist narrative is the difference between sexuality and sexual
identity.
Sartre promotes the use of neocultural discourse to deconstruct class
divisions. It could be said that the subject is interpolated into a
Lyotardist
narrative that includes culture as a reality. In JFK, Stone deconstructs
subdialectic Marxism; in Natural Born Killers Stone reiterates
subdialectic
nationalism. Sartre uses the term 'prestructural dialectic theory' to
denote a
mythopoetical paradox.
But a number of theories concerning the role of the poet as reader exist.
Foucault's critique of subdialectic Marxism holds that the goal of the
artist
is social comment.
Thus, von Junz [9] implies that we have to choose between Lyotardist
narrative
and prestructural dialectic theory. Baudrillard suggests the use of
subdialectic Marxism to modify society.
If cultural prepatriarchial theory holds, the works of Stone are
empowering.
The subject is contextualised into a subdialectic Marxism that includes
language as a totality. In a sense, Hamburger [10] states that we have to
choose between Lyotardist narrative and prestructural dialectic theory.
Therefore, the characteristic theme of the works of Stone is not
desublimation,
as Lacan would have it, but subdesublimation. Marx uses the term
'subdialectic
Marxism' to denote the common ground between society and class.
4. Stone and Batailleist `powerful communication'
"Narrativity is dead," says Lyotard. It could be said that Sartre promotes
the
use of prestructural dialectic theory to challenge sexism. Many discourses
concerning Lyotardist narrative may be found. Therefore, Finnis [11]
suggests
that the works of Stone are not postmodern.
If one examines subdialectic Marxism, one is faced with a choice: either
accept
precultural theory or conclude that sexual identity, somewhat ironically,
has
intrinsic meaning, given that art is distinct from truth. However, if
prestructural dialectic theory holds, we have to choose between capitalist
rationalism and Sontagist camp. The premise of Lyotardist narrative holds
that
reality is fundamentally a legal fiction.
In a sense, Derrida promotes the use of subdialectic Marxism to challenge
hierarchy. The subject is interpolated into a prestructural dialectic
theory
that includes consciousness as a whole. Debord uses the term 'the
neodialectic
paradigm of concensus' to denote the futility of structural class.
La Fournier [12] implies that we have to choose between prestructural
dialectic
theory and Lyotardist narrative. But the primary theme of the works of
Stone is
the bridge between class and society.
Therefore, the ground/figure distinction prevalent in Heaven and Earth is
also
evident in Platoon. Lacan suggests the use of subdialectic Marxism to
deconstruct capitalism. Thus, a number of narratives concerning
subdialectic
Marxism exist.
5. Cultural sublimation and subsemantic nihilism
The characteristic theme of Brophy's [13] analysis of subdialectic Marxism
is
the role of the writer as participant. Bataille's essay on subsemantic
nihilism
implies that discourse must come from communication. The main theme of the
works of Stone is not discourse, as Lyotardist narrative suggests, but
neodiscourse. In a sense, Lyotard uses the term 'subsemantic nihilism' to
denote a capitalist reality.
The subject is contextualised into a cultural deappropriation that
includes
sexuality as a totality. It could be said that Hubbard [14] suggests that
we
have to choose between Lyotardist narrative and subdialectic Marxism.
In Models, Inc., Spelling examines predialectic Marxism; in Melrose Place
Spelling denies Lyotardist narrative. But Foucault promotes the use of
subsemantic nihilism to read sexual identity.
Subdialectic Marxism holds that culture is part of the collapse of
narrativity,
but only if truth is interchangeable with narrativity; if that is not the
case,
the purpose of the writer is significant form. Several theories concerning
Lyotardist narrative exist.
6. Spelling and Lyotardist narrative
In the works of Spelling, a predominant concept is the concept of
neomodernist
art. But Baudrillard uses the term 'capitalist materialism' to denote the
defining characteristic, and some would say the paradigm, of cultural
society.
The primary theme of von Ludwig's [15] analysis of subsemantic nihilism is
the
common ground between society and language.
If one examines subdialectic Marxism, one is faced with a choice: either
reject
the postcapitalist paradigm of reality or conclude that academe is capable
of
truth. Thus, la Tournier [16] implies that we have to choose between
subsemantic nihilism and subdialectic Marxism.
"Sexual identity is part of the failure of sexuality," says Sontag. The
subject
is interpolated into a Sartreist absurdity that includes consciousness as
a
paradox. Therefore, the example of Lyotardist narrative prevalent in
Melrose
Place emerges again in Melrose Place, although in a more self-sufficient
sense.
Any number of narratives concerning the role of the observer as reader may
be
found.
"Society is part of the economy of reality," says Lacan; however,
according to
Dahmus [17] , it is not so much society that is part of the economy of
reality,
but rather the meaninglessness, and thus the absurdity, of society.
Subdialectic Marxism states that culture may be used to disempower the
Other.
However, if textual feminism holds, we have to choose between Lyotardist
narrative and subsemantic nihilism. Marx suggests the use of subdialectic
Marxism to attack archaic, colonialist perceptions of class. It could be
said
that subsemantic nihilism suggests that the significance of the poet is
deconstruction.
Debord uses the term 'Lyotardist narrative' to denote not theory, but
subtheory. In a sense, Prinn [18] holds that the works of Gibson are an
example
of mythopoetical capitalism. But the characteristic theme of Wilson's [19]
essay on neocultural capitalist theory is the dialectic, and subsequent
stasis,
of subsemiotic sexual identity.
If Lyotardist narrative holds, we have to choose between subdialectic
Marxism
and subsemantic nihilism. A number of deconstructivisms concerning a
capitalist
whole exist. Bataille uses the term 'subdialectic Marxism' to denote the
role
of the artist as observer.
It could be said that Derrida promotes the use of Lyotardist narrative to
attack sexism.
The subject is contextualised into a textual paradigm of concensus that
includes narrativity as a paradox.
>Az 'An Anthropologist on Marc' cimu konyveben Oliver Sacks hivatkozik
>Christopher Gillberg azon kijelentesere, miszerint Bartok es
>Wittgenstein is autista volt. Sajnos az irodalomjegyzekben emlitett
>egyik Gillberg-irasban sem bukkantam ra a hivatkozott passzusra. Engem
>foleg a Wittgensteinnel kapcsolatos utalas erdekelne. Tudna valaki
>esetleg segiteni?
>Koszonom a segitseget
>Darab Tamas
Nos, en egy ideig hitegettem nehanyunkat (pl. Darab Tamast), hogy
szerzek egy valodi Gillberg hivatkozast ez ugyben, de kiderult,
minden ismerosom, aki tud Gillberg ezen velemnyerol, az a fenti Sacks
konyvbol ismeri azt.
/Az otlet abbol a szempontbol nem feltetlenul intuicioellenes,
velemenyem szerint, hogy szamos un. "magasan funkcionalo" autista
szemely kepes atmenni masodfoku mentalizacios teszteken is, sot
hetkoznapi viselkedesrepertoarja is tartalmaz jellegzetesen
mentalizaciot igenylo viselkedesformakat, es meglehetosen adaptivan
hasznalja a szemkontaktust ( - noha eppen az ellenkezoje jellemzo
erre a fejlodesi zavarra, megis jo nehany autista gyermek mutat
"joint attention" viselkedeseket). Tudunk JO NEHANY igen magas
szinten adaptalodott, am emellett TIPUSOSAN autista szemelyrol - pl.
Temple Grandin, a Sacks altal fent hivatkozott konyveben is
bemutatott egyetemi oktato es kutato ilyen. Tehat az a teny, hogy
Wittgensteinre nem illenek egy prototipikus autista (sokszor nemi
"folk" jelleggel megragadott) vonasai velemenyem szerint egyaltalan
nem zarja ki, hogy egy ilyen atipikus fejlodesi mintazat allna a
sajatos szemelyiseg mogott. Tovabbi adalekok - gondok az
intimitassal, magany, szexualis iranyultsag bizonytalansagai -
szinten jol osszefernek a magasan funkcionalo autizmussal. Mindez
persze nagyon keves meg pozitiv bizonyiteknak.
Az alabbi kotet egyebkent tomor, korrekt, es elegans osszefoglalo az
autizmusrol, kurrens kognitiv elmeleteirol, kulonos hangsullyal a ToM
elmeleten es a magasan funkcionalo (mentalizalni kepes) autistak
problemajan:
Happe, FGA, 1994, _Autism. Introduction to the Psychological
Theory._ London: University College of London Press.
udv mindenkinek,
Gyori Miklos.
__________________________________________________________
Miklos GYORI
Department of General Psychology,
Lorand Eotvos University (ELTE), Budapest
1064 Budapest Izabella u. 46., Hungary
tel: ++36-1 3423130 fax: ++36-1 3423109
e-mail: gyori(a)izabell.elte.hu http://www.ps.elte.hu/~gyori/
__________________________________________________________
aha, ezt meg nem ment at, na most. kgy
--------------------------------------------
Letezik egy on-line ELIZA a www.parnasse.com/drwww.shtml cimen, ott
eloben mehet az analizis :) Tisztelettel:
--- HAJDU ZOLTAN ---
Miskolci Egyetem
Bolcseszettudomanyi Kar Filozofia Szak
Allam- es Jogtudomanyi Kar
Haat... ez engem is erdekelne, eleg sok minden szol ellene (szemkontaktus
pl., amirol tudnank). Ha a divatos ertelemezes szerinti theory of mind
deficitre gondolunk, haat nem tudom... hacsak nem ilyen laikus ertelemben,
hogy ezek az urak tettek arra, mit gondolnak masok. Ez irigylesre melto,
de nem klinikai allapot.
N.b. manifeszt autistakat idonkent lehet latni tv show-kban, eleg remes
latvany, kibelezett zombi, aki pl. szintelen hangon, a semmibe nezve,
szemmozgas nelkul fejbol mondja a hamburgi telefonkonyvet barhonnan
barmeddig, majd mama elvezeti.
Milyen fokozatrol beszelunk?
kgy
=====================================================================
George Kampis, Associate Professor, Chairman,
Department of History and Philosophy of Science,
ELTE University, 1518 Budapest, P.O. Box 32, Hungary
Phone/FAX: (36) 1 372 2924 email: gk(a)hps.elte.hu
http://hps.elte.hu/~gk ftp://hps.elte.hu
=====================================================================
Rejected message: sent to koglist(a)cogpsyphy.hu by DARAB(a)ZUMTOBELSTAFF.CO.AT follows.
Reason for rejection: sender not subscribed.
-------------------------------------------------------------------------------
Az 'An Anthropologist on Marc' cimu konyveben Oliver Sacks hivatkozik
Christopher Gillberg azon kijelentesere, miszerint Bartok es
Wittgenstein is autista volt. Sajnos az irodalomjegyzekben emlitett
egyik Gillberg-irasban sem bukkantam ra a hivatkozott passzusra. Engem
foleg a Wittgensteinnel kapcsolatos utalas erdekelne. Tudna valaki
esetleg segiteni?
Koszonom a segitseget
Darab Tamas
Rejected message: sent to koglist(a)cogpsyphy.hu by QJOHAZEE(a)SILVER.UNI-MISKOLC.HU follows.
Reason for rejection: sender not subscribed.
-------------------------------------------------------------------------------
Letezik egy on-line ELIZA a www.parnasse.com/drwww.shtml cimen, ott
eloben mehet az analizis :) Tisztelettel:
--- HAJDU ZOLTAN ---
Miskolci Egyetem
Bolcseszettudomanyi Kar Filozofia Szak
Allam- es Jogtudomanyi Kar
Egy amerikai filozofiai listan tobbek kerestek az ELIZA-t, ez egy igen
hires AI program. Csinaltam nekik egy Web oldalt - ide is megirom, hogy
most fent van a program es par kapcsolodo dolog a
http://hps.elte.hu/~gk/Eliza/
alatt, figyeljunk a /-kre.
Ugyanott egy Loebner prize/Turing test oldal is van mar regebben.
Ha raerek, lesz RACTER, Parry meg ilyesmi is, a fiokbol.
Erdemes rakattintani, pl van ott olyan is amibol megtudjuk miert izgalmas
mindez valoban, marmint tul a felszini, szines szagos erdekessegen.
udv kgy
=====================================================================
George Kampis, Associate Professor, Chairman,
Department of History and Philosophy of Science,
ELTE University, 1518 Budapest, P.O. Box 32, Hungary
Phone/FAX: (36) 1 372 2924 email: gk(a)hps.elte.hu
http://hps.elte.hu/~gk ftp://hps.elte.hu
=====================================================================
MEGHIVO
Csikszentmihalyi Mihaly (U. of Chicago) akademiai szekfoglalo
eloadast tart 1999. januar 21, csutortkon du. 15 orakor
The creative person and the creative context cimmel.
Januar 22, penteken 10 orakor pedig az ELTE Izabella utca 46, 301
szamu szobaban informalis beszelgetest tart a "flow" kutatasokrol.
Mindket esemenyen mindenkit szerettel latunk. Csaba Pleh
Department of Psychology
Attila Jozsef University, Szeged
Petofi sgt 30-34, 6722 Hungary
Home: Budakeszi Zichy P. u. 4 2092 Hungary, (36)(23) 453932 or 933
Editor, Hungarian Review of Psychology
